Building a Social Media Content Strategy for Saudi Arabia, Jordan and the Region

By Sudace Team, 29 September 2026, 15 min read

Social Media Content Strategy for Saudi Arabia, Jordan and the Region

Platform roles, content pillars, bilingual tone, a calendar shaped by Ramadan, Eid and national days, creators, paid support and reporting that changes what you publish.

Most brands in Saudi Arabia and Jordan are not short of social media activity. They post every day, reply to comments, boost a few posts and run something special for Ramadan. What many are short of is a social media content strategy: a clear account of why they are on each platform, what they want people to think, feel and do, and how every post adds up over a year rather than a week.

The region makes this harder and more rewarding at the same time. Audiences move between Arabic and English, sometimes within one sentence. The calendar is shaped by a lunar month that shifts every year, two Eids, national days, a long summer and a school year that resets family routines. Platforms play very different roles in people's lives, and what feels natural on Snapchat can feel out of place on LinkedIn.

This guide sets out how we approach the work: goals and platform roles, content pillars, formats, tone, the calendar, community management, creators, paid support and reporting. It closes with a worked hypothetical example you can adapt to your own organisation.

What a social media content strategy actually is

A social media content strategy is a set of decisions, not a schedule. It answers five questions: who you are speaking to, what you want to change in their minds or behaviour, which platforms carry which part of that job, what you will say again and again, and how you will know whether it is working. The calendar comes last, because it is the output of those decisions.

It is also different from a campaign plan. A campaign runs for weeks and pushes one message hard. A content strategy runs all year and builds the familiarity, trust and relevance that make campaigns work when they arrive. Confuse the two and you go quiet between launches.

Finally, it sits under the wider communications strategy rather than beside it. If the organisation has not agreed its positioning, priority audiences and key messages, social media ends up inventing them post by post. That is usually the job of a marketing communications strategy, and social content should inherit from it rather than compete with it.

A few signs that you have activity but no strategy:

  • Every platform carries the same post, simply resized.
  • Nobody can say what a good month looks like before the month starts.
  • Content is planned a week ahead and decided by whoever has an idea.
  • Ramadan and national day content is briefed in a rush every year.
  • Reports list numbers but never change what you publish next.

Goals first, then a role for every platform

Start with business and communication goals, not platform goals. Growing followers is rarely a goal on its own; it matters only if those followers are the people you need. Better starting points are concrete: make a new service understood, shift a perception that is holding the brand back, generate qualified enquiries, support recruitment, or prepare the public for a change.

Write no more than three goals for the year and rank them. When two goals compete for budget or calendar space, the ranking settles it.

Once the goals are clear, give each platform a specific job. Not every brand needs every platform, and being absent from one is better than being present with nothing to say. The roles below are qualitative. They describe how people tend to use each platform here, and should be checked against research into your own audience.

  • X: real-time conversation, news and public debate. It is where journalists, commentators and engaged citizens follow what institutions say. Use it for statements, live coverage and quick responses, with careful moderation.
  • Instagram: the brand's visual world. Reels for reach, carousels for explanation, Stories for daily presence and interaction. It suits consumer brands, hospitality, retail and culture.
  • Snapchat: closeness and everyday life, and especially important in Saudi Arabia. It is personal and informal, built around friends and family first. It works for behind-the-scenes moments, creator-led content and offers that feel immediate rather than polished.
  • TikTok: discovery and entertainment. Content travels beyond your followers if it earns attention in the first seconds. It rewards native formats, trends used with judgement, humour and creators who understand the platform's grammar.
  • LinkedIn: reputation among professionals, partners, investors, talent and government stakeholders. Use it for leadership perspectives, company milestones, employer brand and B2B demand. Well-written Arabic posts can stand out here.
  • YouTube: depth and search. It is the home for brand films, explainers, interviews, tutorials and series. People arrive with intent, so titles and descriptions matter.

A practical way to record this is one sentence per platform: "Instagram is where young professionals in Riyadh and Amman see what the brand stands for; success means saves, shares and profile visits." If you cannot write that sentence for a platform, you probably do not need to be on it yet.

Content pillars: what you say again and again

Pillars are the three to five themes you return to all year. They keep content on strategy, make planning faster and give the audience a reason to recognise you. Good pillars sit where what the organisation needs to say overlaps with what the audience genuinely cares about. A theme that serves only one side will either be ignored or feel like noise.

Each pillar needs a purpose, a set of recurring formats and a sense of where it belongs. The table below shows a pillar set for a hypothetical consumer bank serving both markets.

PillarPurposeExample contentMain platformsWeight
Money made simpleBuild trust and usefulnessShort explainers on budgeting, expert Q&A, saveable carousel guidesInstagram, TikTok, YouTubeHigh
Life momentsShow relevance to real milestonesFirst salary, marriage, school fees, travel seasonInstagram, SnapchatHigh
Product in useDrive consideration and actionShort demos, feature walkthroughs, offersAll, with paid supportMedium
People and purposeBuild reputation and employer brandStaff stories, community programmes, leadership viewsLinkedIn, XMedium
Live and timelyShow the brand is presentRamadan, Eid, national days, events, quick responsesX, Snapchat, Instagram StoriesSeasonal peaks

Notice that the product pillar is not the heaviest. People follow brands that are useful or interesting, and they tolerate product content when the rest of the feed has earned it. The exception is a launch window.

A quick test for each pillar before you sign it off:

  1. Could a competitor publish the same post without changing a word? If so, sharpen the angle.
  2. Can you list ten post ideas for it today? If not, it is too narrow to sustain a year.
  3. Does it connect to one of the goals you ranked in the first step?
  4. Will it work in both Arabic and English, or only in one of them?

Formats that fit the feed

A strong idea in the wrong format underperforms. Before anything goes into production, decide the format by asking how the audience will meet the content: scrolling with the sound off, watching full screen, searching for an answer or sending it to a friend.

Short vertical video is the default for reach on Instagram, TikTok, Snapchat and YouTube Shorts. The first two seconds carry the hook, captions are essential because many people watch silently, and the brand should appear early but lightly.

Carousels and static designs still earn their place for explanation: a step-by-step process, a comparison, a checklist people save for later. On LinkedIn, document posts do the same job for professional audiences. Keep one idea per slide and design Arabic versions for right-to-left reading from the ground up, not as a mirror of the English layout.

Long-form video belongs on YouTube and, selectively, on LinkedIn: brand films, interviews, event highlights, explainers. Plan every long-form shoot so it produces a family of assets: one main film, several short cut-downs, quote cards and behind-the-scenes clips. One well-planned production day should feed weeks of content.

Interactive and live formats such as polls, question stickers, X Spaces and Instagram Lives build presence, but they demand preparation. Brief spokespeople and keep a moderator on hand.

Tone in Arabic and English

Bilingual content is where many brands in the region lose consistency. The English feed sounds confident and modern while the Arabic feed sounds like a formal translation of it, or the other way round. The fix is to define the voice once, as a set of traits, and then express it natively in each language.

Start with three or four traits, such as warm, clear and quietly confident, and write down what each one means in practice in both languages. In Arabic that includes a choice of register. Modern Standard Arabic suits institutions, official announcements and LinkedIn. A light, educated colloquial register often works better on Snapchat, TikTok and Instagram Stories, especially when a creator or an employee is speaking.

Dialect is a strategic choice, not a style detail. Saudi and Jordanian audiences recognise their own phrasing immediately, and content that clearly speaks to them feels closer. If one account serves both markets, decide whether to stay in a neutral register or to produce market-specific versions of key pieces. Do not drop a Gulf expression into a Levantine script, or the reverse, just for colour.

Transcreate rather than translate. A pun, a reference or a call to action that lands in English may mean nothing in Arabic. Brief writers in both languages on the idea, not the sentence, and let each version find its own words. Then review both side by side.

Tone guardrails worth writing down:

  • Religious references: when they are appropriate, such as greetings for Ramadan and Eid, and when they are not, such as anything that sells.
  • Humour: the kind that fits the brand, and the topics that are always off limits.
  • Formality ladder: how the voice shifts from a crisis statement to a playful reel.
  • Forms of address: how you speak to the audience in Arabic so that women and men both feel included.
  • Numbers, dates and names: which digits you use, when Hijri and Gregorian dates appear, and the official spelling of the brand and its products.

A calendar built around the region's seasons

In the Gulf and the Levant the calendar is never neutral. Ramadan changes when people are online, what they watch and how they feel about brands. Eid brings gifting, travel and family. National days call for pride, not promotion. Summer reshapes routines, and the return to school resets household priorities. A plan that ignores these moments looks out of touch; one that treats them only as sales windows looks opportunistic.

Because Ramadan follows the lunar calendar, it falls earlier in the Gregorian year each time, so never copy last year's dates. Build the year in three layers: always-on pillar content, seasonal moments and planned campaigns. Then reserve capacity for a fourth, reactive layer: news, trends and conversations nobody can predict.

The moments most brands in both markets plan around:

  • National days: Founding Day (22 February) and National Day (23 September) in Saudi Arabia, Independence Day (25 May) in Jordan. Content about shared pride, heritage and contribution, approved well in advance.
  • Ramadan: the most important content season of the year. Viewing shifts towards the evening and late night, and audiences welcome storytelling and series over hard selling. Start preparing at least two months ahead.
  • Eid al-Fitr and Eid al-Adha: greetings, gifting, travel and family. Keep greetings short and sincere.
  • Summer: travel, heat, entertainment and family activities, with many people abroad or on very different schedules.
  • Back to school: budgets, routines, children and new beginnings for families and young people.
  • Sector moments: conferences, exhibitions, results and year-end reflections that matter to your industry.

Within each month, a simple rhythm keeps the team ahead of the feed. In a seasonal month, the seasonal layer replaces part of this template rather than piling on top of it.

WeekMain focusExample contentPaid supportCommunity
Week 1Pillar anchorsOne hero piece per main pillar: a film, a carousel series or a leadership postAwareness boost for the hero piecesReview last month's report and comment themes
Week 2Cut-downs and interactionShort videos from the hero pieces, polls, question stickers, creator posts go liveTest two or three creative variantsAnswer questions raised by the hero content
Week 3Product and actionProduct in use, demos, offers, clear calls to actionRetarget engaged viewers and visitorsHandle enquiries and route leads quickly
Week 4Community and preparationCustomer and staff stories, frequently asked questions, behind the scenesKeep the winning variants runningMonthly summary; brief next month's seasonal content

Community management and creators

Publishing is half the job. The other half happens in comments, replies and direct messages, and that is where people decide whether a brand is worth following. Community management needs an owner, defined hours of cover, response guidelines in both languages and a clear route for escalation.

Community management basics

  • Target response times by type: questions, complaints, praise and sensitive issues.
  • An approved answer bank in both languages, refreshed every month.
  • Escalation paths for complaints, legal or regulatory topics and anything that could become a crisis.
  • Rules for moving a conversation to private messages, and a clear position against hiding fair criticism.
  • A weekly summary of what people asked about, praised and complained about, shared with the business.

That last point is often the most valuable. Comments are free research. Repeated questions show where your communication is unclear, and repeated complaints show where the service is falling short. Feed both back into the content plan.

Working with creators

Creators bring reach, but more importantly they bring credibility and native fluency in each platform. Choose them for fit before follower count. Does their audience match yours? Does their tone suit your brand? Would their followers believe they genuinely use or value what you offer?

Brief creators on the message and the boundaries, then let them make it their own. Over-scripted creator content looks like an advert and performs like one. Agree usage rights upfront, and check each market's advertising disclosure and licensing rules before every contract.

A small group of long-term creator partners usually builds more trust than a long list of one-off posts. Audiences notice when someone talks about a brand repeatedly and naturally over months.

Paid amplification: put budget behind what works

Organic reach alone rarely delivers business goals. Paid support should be part of the content strategy from the start, not an afterthought when a post underperforms. The principle is simple: publish organically, watch what earns attention, then put budget behind what is already working.

A structure that works for most brands:

  1. Awareness: promote short videos and hero films to broad, well-defined audiences in each market.
  2. Consideration: retarget people who watched, engaged or visited the profile with explanatory content and carousels.
  3. Action: serve offers, lead forms or website traffic ads to warm audiences, with one clear message and one call to action.
  4. Testing: run two or three creative variants per objective, keep the winners and retire the rest.

Separate audiences and budgets by market. Saudi Arabia and Jordan differ in purchasing behaviour, platform habits and cultural references, so one regional campaign averaged across both usually serves neither well. Where platforms allow it, run creator content as paid placements; it tends to feel more natural than brand-produced ads.

Paid and organic teams must work from the same calendar and the same pillars. When they do not, the brand speaks in two voices, one that informs and one that interrupts. This is the point where social stops being a standalone channel and becomes part of an integrated marketing communications plan, with creative, media and content pulling in one direction.

Reporting that changes what you publish

A report is only useful if it leads to a decision. Many social reports list reach, impressions and follower growth, and then stop. A better report connects the numbers to the goals you ranked at the start and says plainly what you will do differently next month.

GoalWhat to measureThe question to answer
AwarenessReach in priority markets, completed video views, share of conversationAre we reaching the right people, not just more people?
RelevanceSaves, shares, meaningful comments and repliesWhich pillars and formats earn the strongest response?
ReputationSentiment and recurring themes in comments and mentionsHow is the conversation about us changing?
ActionLink clicks, leads, sign-ups, cost per resultWhich content moves people towards a decision?
CommunityResponse time, resolution rate, repeated questionsAre we helping people, and what are they telling us?

Report by pillar and by format, not only by platform. That is how you learn which pillar has stopped earning attention. Pair the numbers with a short qualitative note: the best comment, a recurring complaint, a conversation worth joining.

Set a rhythm and keep it: a weekly pulse for the working team, a monthly report for managers, and a quarterly review that revisits pillars, platform roles and tone.

A worked example: a hypothetical retailer

Imagine a home furnishings retailer with stores in Riyadh and Amman. Known for good prices, it wants to be seen as the place for modern family homes. Its ranked goals are to shift that perception, to grow store visits and to build a list of customers it can reach directly through messaging.

The platform roles follow from the goals. Instagram becomes the brand's world of inspiration. TikTok drives discovery through quick room makeovers. Snapchat, with a Saudi focus, carries offers, behind-the-scenes moments and creators at home. YouTube hosts a longer room-transformation series. LinkedIn supports the employer brand, and X handles announcements and service.

Five pillars carry the year: real homes, featuring customers and creators; small-space ideas; seasonal hosting; behind the product, covering materials and makers; and offers, kept deliberately light outside sale periods.

The calendar does the heavy lifting. For Ramadan, a series called "a table for the whole family" shows how to prepare a majlis and dining area for iftar, published in the evening, with one creator in Riyadh and one in Amman each hosting in their own style and dialect. Eid brings gifting guides as carousels. Summer focuses on refreshing the home before travel and on children's rooms. Back to school brings study corners. National days get tribute content with no products in it at all.

Paid support pushes the best-performing reels to wider audiences in each market, retargets viewers with the relevant collection and runs offers on Snapchat in Saudi Arabia. Questions logged by community managers about delivery and assembly become the next month's explainers.

Now suppose the first quarterly review shows that small-space content resonates most in Amman while hosting content leads in Riyadh. The team does not average the two. It rebalances the pillars by market, briefs market-specific creators and moves budget accordingly. That single decision, taken because the report was built around pillars and goals, is what separates a strategy from a posting schedule.

Putting your social media content strategy to work

A strong social media content strategy is not complicated, but it is disciplined: ranked goals, a role for every platform, pillars you can sustain, a voice that works in two languages, a calendar shaped by the region's seasons, community and creators treated as part of the plan, paid support behind proven content, and reports that change what happens next.

At Sudace we build this through our framework, moving from Discover and Analyze to Activate and Amplify, and run it day to day through our Content & Social Media service for organisations in Saudi Arabia, Jordan and across the region.

If you want a second opinion on your current approach, or a strategy built from the ground up, talk to our team.

Content & Social MediaStrategic content, brand films and social media management that keep your brand consistent, visible and talked about — every day.

Frequently asked questions

What should a social media content strategy include?

At minimum: ranked goals, a defined role for each platform, three to five content pillars, voice guidelines for every language you publish in, a seasonal calendar, community management rules, a paid support plan and a reporting rhythm. The posting schedule is built from these decisions, not the other way round.

Which social media platforms matter most in Saudi Arabia and Jordan?

It depends on your audience and goals rather than on a fixed ranking. X, Instagram, Snapchat, TikTok, LinkedIn and YouTube each play a different role, and Snapchat carries particular weight in Saudi Arabia. Give each platform one clear job and leave out any you cannot serve well.

Should brands post in Arabic, English or both?

Most brands serving the region need both, but each language should be written natively rather than translated. Define the brand voice once, then decide the Arabic register and dialect per platform and audience. Review both versions together so they carry the same idea.

How early should we plan Ramadan social media content?

Start at least two months ahead, and remember that Ramadan moves earlier in the Gregorian calendar every year. Plan series and storytelling rather than hard selling, schedule for evening and late-night viewing, and agree approvals, creators and paid support before the month begins.

Sudace Team

Sudace's strategy, insights and creative team in Riyadh and Amman. We write about marketing communications, campaigns, content and the audiences of Saudi Arabia, Jordan and the wider region.

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